Reading "It" - Thoughts on each chapter SPOILERS

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Rick Aucoin

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Apr 3, 2017
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I thought it might be helpful for me to makes some small note of my thoughts about each chapter. When I read this book so many decades ago (more than 27 years ago...) it gave me screaming nightmares. I hope at 51 I'm less prone than I was at 22...

So I thought I'd post my thoughts on each chapter here. Maybe other readers had thoughts or opinions or feedback on what I might post?

So, since "It" won't leave me alone since seeing the trailer for the upcoming 2017 theatrical release... time to read it again.
 

Rick Aucoin

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Part 1 - The Shadow Before
Chapter 1 - After the Flood (1957)

So, yeah, Chapter 1. (Do I need to say "spoilers" here? I mean, just assume it for the rest of the book for goodness sake.)

Much of Chapter 1 is the famous scene everyone remembers from the mini-series and the trailer for the mini-series and which is heavily leaned on in the new trailer for the upcoming next Sept redo of "It" as a theatrical rated R release.

(The new 2017 "It" trailer: https://www.youtube.com/watch?v=QnUwUCbwJy4)

(The 1990 tv miniseries trailer: https://www.youtube.com/watch?v=PqqBpAqnGKg)

Georgie, his paper boat, the flooded street, the storm drain... Pennywise.

So we meet Mr. Bob Gray, aka, Pennywise the Dancing Clown.

Things I liked in this chapter: King does his usual excellent job of setting a scene. Descriptions flow naturally and vividly, everything from the flood of water in the street to the yellow rain slicker Georgie is wearing. The fear Georgie feels looking down into the cellar, the premonition of his own death so accurate and poingant.
Pennywise's dialogue. Very creepy, very well done.

Things I didn't like: King is a bit wordy. And I expect I'll copy and paste that in every chapter from here on out.
1f603.png
:D

Things that were odd: Did anyone else find it odd that the author gives away Georgie's fate so early in the chapter? That he flat out tells us that Georgie is going to die and soon? Isn't that a bit of robbing the entire scene of its tension and suspense? We know what's going to happen (more or less). By the time Pennywise pulls Georgie's arm into the rain gutter and rips the arm off we're not surprised by it or even really shocked. I don't know if I think this was a bad thing or not, it's just something odd that I probably wouldn't have thought to do? I'd have tried to make the scene more traditionally horrifying? Suspenseful? But knowing what was coming for Georgie is its own sort of horror so i guess that's why King is King and I'm not.

On to Chapter 2!
 

Rick Aucoin

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Part 1 The Shadow Before
Chapter 2 - After the Festival (1984)

Okay, this entire chapter is pretty much the cops dealing with three punks who beat the hell out of a gay guy and then tossed him over a bridge into the river 23 feet below. Interviews with the cops and the three punks as well as the poor deceased's boyfriend who witnessed the whole thing. We get some history on parts of the town and we get to see that Pennywise isn't just someone who is haunting little kids like Georgie in rain gutters.

Things I liked: Good illustrating of what the town is like in 1984. Both the good and the bad. Mostly the bad.
1f603.png
:D Excellent revisiting of my own memories of the mid-80s attitudes towards gays and how "gay bashing" or "rolling queers" was just something you did or laughed about others doing. We've come a LONG way in how well gays and lesbians and bi-sexuals are treated in this country and thank goodness for that. As a society we took a look at how we treated these fellow citizens and decided that we weren't going to have our society defined by religious nutters and homophobes any more. And that's a rare thing for a society to do, to actually deliberately change itself like we've done with how we now treat gays, lesbians, and bisexuals.
But I did like the reminder of what it used to be like. The sadly accurate reminder.
There are some classic King bits of description and such in this chapter too. He's just so good at that sort of thing, descriptive prose.
Liked how the surviving boyfriend described Derry to the Derry cops:
***
'And what's Derry really like, Don?' Reeves asked.
'It's a lot like a dead strumpet with maggots squirming out of her cooze,' Don Hagarty said.
***
So tell us how you really feel, Don!

Things I didn't like: Eh, you can't tell what the hell this has to do with anything. The entire chapter seems just a random "Pennywise killed this gay guy, possibly by magically influencing the three thugs behavior to a degree". It's hard to see the point of it other than that, what does this chapter mean to the narrative?
And it's a bit wordy.
1f603.png
:D

Things found interesting: The aforementioned reminder of what it used to be like for LGB citizens. The idea that maybe Pennywise or IT might affect people's behavior. That's not really so much mentioned as maybe being what we're seeing, so it was an interesting idea that came to me while reading this chapter.

On to chapter 3, the much longer "Six Phone Calls" chapter which introduces us to the real cast of our story...
 

AchtungBaby

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Welcome! Have you heard of Goodreads? You might like it; I use it all the time. It's now my favorite social media site. It allows you to post book 'updates' as you're reading.
 
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Rick Aucoin

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Welcome! Have you heard of Goodreads? You might like it; I use it all the time. It's now my favorite social media site. It allows you to post book 'updates' as you're reading.

Yes and I've an account there but for some reason the site has never really grabbed me. I hope this thread is ok here, this community seemed more...focused. And if I'm going to reread this book for the first time since I was 22 I want to read it around people who get it. ;)

Reading Chapter 4 Ben Hanscom Takes a Fall, right now and it's dark here in my bedroom, my wife sound asleep, and I'm getting more and more creeped out by every bald and sudden mention of another murdered kid or teen. And the bullies stalking Ben...

Not sure if reading this in the middle of the night is a good idea...
 

Rick Aucoin

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Part 1 - The Shadow Before
Chapter 3 - Six Phone Calls (1985)

So here we get to meet the cast.

What I liked: There's some good creepy stuff here, especially in the last section, "Derry, The First Interlude", which is mostly the ramblings and thoughts of Michael Hanlon, the librarian played by Venus Flytrap in the mini-series. There's some VERY good stuff in that section.
That the book makes such a point of the cycle being every 27 years and it's been 27 years since the 1990 mini-series came out just keeps creeping me out. :D
I liked the cast so far. Each has a distinct personality and a sense of self to them. King is good at that generally.
We're getting the message already that this story is about Derry, the long story of the town. That it's also the story of these kids who are now adults. That this isn't just a story about a killer clown.

What I didn't like: the same thing as above, the intro of the cast. King seems to do this with his large casts or at least I seem to remember the same sort of flavor to it in The Stand, he draws them all in almost caricature. Their situations are so larger than life that they seem contrived.
Bev's husband isn't just abusive, he's a freak and a monster.
Eddie's wife isn't just a big fat woman like his mom, she's a passive aggressive control freak EXACTLY like his mother. Didn't get why Stanley killed himself, but maybe I will later...
Still, not a huge fan of how King does this with his large casts. But it's almost a hallmark of his writing from what friends who've read much of his work tell me so there's no point in going on too much about it. It's not like it's a problem, it's just a thing I'm not wild about.

Things I found interesting: The entire Interlude was great. Loved it. I hope I enjoy all of the interludes this much as I read on. I remember when I read the book at 22 I didn't have any patience for them and found them irritating breaks in the narrative, but my priorities are different at 51 than they were at 22.
I found it interesting remembering my own promises as a child, things said to blood brothers and club mates. Things barely barely remembered, as though victim of my own Forgetting. But unlike the characters in the book I'm not victim of a mystic amnesia, just normal life. The memories we have of our childhoods are thin and ephemeral things, if you stop and really focus on them, delve into them as best you can. It's almost, sometimes, like you're remembering stories told to you about what happened instead of remembering what happened. Which, coincidentally, is how grown Bill Denbrough describes it to his wife in this chapter. That he remembered that he had a brother, that his brother was killed. But he remembered these things as bald facts, not as actual events in his own life.

Creepy, that. These are things and memories I've not examined (or exhumed, perhaps) in many many years.

On to Part 2, June of 1958! Great, after all the foreshadowing of how horrible 1958 was in the just finished Interlude! Awesome! o.0
 

Rick Aucoin

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Yes, this is a great place to talk about the book and your insights.
Good good. I'm glad this sort of thread is ok here. And I doubt anything I have to say about each chapter approaches insight but it is nice to be able to talk about what I'm reading. Normally I prefer my reading to be a solitary and internal experience but there's something about this book that makes me shun my usual environment and want to turn on lights and at least pretend there are all these other people about.
 

twiggymarie

Daughter of One
Mar 17, 2011
332
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Texas, United States
Part 1 The Shadow Before
Chapter 2 - After the Festival (1984)

Okay, this entire chapter is pretty much the cops dealing with three punks who beat the hell out of a gay guy and then tossed him over a bridge into the river 23 feet below. Interviews with the cops and the three punks as well as the poor deceased's boyfriend who witnessed the whole thing. We get some history on parts of the town and we get to see that Pennywise isn't just someone who is haunting little kids like Georgie in rain gutters.

Things I liked: Good illustrating of what the town is like in 1984. Both the good and the bad. Mostly the bad.
1f603.png
:D Excellent revisiting of my own memories of the mid-80s attitudes towards gays and how "gay bashing" or "rolling queers" was just something you did or laughed about others doing. We've come a LONG way in how well gays and lesbians and bi-sexuals are treated in this country and thank goodness for that. As a society we took a look at how we treated these fellow citizens and decided that we weren't going to have our society defined by religious nutters and homophobes any more. And that's a rare thing for a society to do, to actually deliberately change itself like we've done with how we now treat gays, lesbians, and bisexuals.
But I did like the reminder of what it used to be like. The sadly accurate reminder.
There are some classic King bits of description and such in this chapter too. He's just so good at that sort of thing, descriptive prose.
Liked how the surviving boyfriend described Derry to the Derry cops:
***
'And what's Derry really like, Don?' Reeves asked.
'It's a lot like a dead strumpet with maggots squirming out of her cooze,' Don Hagarty said.
***
So tell us how you really feel, Don!

Things I didn't like: Eh, you can't tell what the hell this has to do with anything. The entire chapter seems just a random "Pennywise killed this gay guy, possibly by magically influencing the three thugs behavior to a degree". It's hard to see the point of it other than that, what does this chapter mean to the narrative?
And it's a bit wordy.
1f603.png
:D

Things found interesting: The aforementioned reminder of what it used to be like for LGB citizens. The idea that maybe Pennywise or IT might affect people's behavior. That's not really so much mentioned as maybe being what we're seeing, so it was an interesting idea that came to me while reading this chapter.

On to chapter 3, the much longer "Six Phone Calls" chapter which introduces us to the real cast of our story...

The point of this whole chapter is it's
the sacrifice that start this cycle. Each cycle is started by one, and thinking of the Black Spot, it's a bit tamer. Still, it's the beginning, so definitely worth noting.

I just got done re-reading this as well, so it's still very fresh in my mind. I love reading other's take on their reading. And I totally agree on this book's creep bar being off the charts! A storm came through and cut out the lights at one of the worst parts for me. Little eek inducing! Welcome to the boards!:m_joy:
 
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Rick Aucoin

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The point of this whole chapter is it's
the sacrifice that start this cycle. Each cycle is started by one, and thinking of the Black Spot, it's a bit tamer. Still, it's the beginning, so definitely worth noting.

I just got done re-reading this as well, so it's still very fresh in my mind. I love reading other's take on their reading. And i totally agree on this book's creep bar being off the charts! A storm came through and cut out the lights at one of the worst parts for me. Little eek inducing! Welcome to the boards!:m_joy:

Thanks and ah, that makes sense as far as what this chapter is about. See, at this point in the book it's not real clear that this is about cycles, at least it hasn't been that clear to me. There seem to be times when things come to a head and the **** hits the fan so to say but it wasn't obvious to me that there would be something as clear cut as a "start of the cycle". So that helps make sense of what the importance of that chapter is then, thanks. :)
 

twiggymarie

Daughter of One
Mar 17, 2011
332
1,911
Texas, United States
Thanks and ah, that makes sense as far as what this chapter is about. See, at this point in the book it's not real clear that this is about cycles, at least it hasn't been that clear to me. There seem to be times when things come to a head and the **** hits the fan so to say but it wasn't obvious to me that there would be something as clear cut as a "start of the cycle". So that helps make sense of what the importance of that chapter is then, thanks. :)

Yeah, King's notorious for slipping in things that appear to be nuances which later have a big impact in his stories. I've read It... probably more times than any book, because it's my favorite, and the very first King novel I ever read. :m_adore: Glad I could help!
 
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Rick Aucoin

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Part 2 - June of 1958
Chapter 4 Ben Hanscom Takes a Fall


In spite of starting this section with Ben Hanscom in the modern period flying from Omaha to Chicago first class and thence from Chicago ultimately to Maine where he’s to meet up with his old friends, this section is firmly ensconced in 1958. We’re intimately attached to 11 year old Ben in a 3rd Person Limited POV and we start out the last day of school before summer vacation.


What I liked: There’s a lot to like in this chapter and the ones following which make up Part 2. This is, after all, where the meat of the “kids part of the story” starts.


We get to see some of the town. Important locations like the library and The Barrens. We get the lovely imagery of the glass walled connecting corridor that links the adult library and the children’s library. A simple concrete slab walkway with glass walls and ceiling that provides protection from Maine winter weather between the two buildings but which gives us varying degrees of fantastical descriptions throughout the book as it’s mentioned. I think the “glass tunnel” is my favorite way it was put. But it’s a lovely symbolism for the path between childhood and adulthood. Which is, on consideration, practically the theme of the entire novel.


We get to know Ben’s struggles as a fat boy, which is central to his identity at this point in his life. Who is Ben? He’s a fat boy. And I identified very strongly with this, though my personal experience is the other end of the scale: I was the skinny boy. Not just thin or slender but with pipe-stem arms and a pencil neck. A chest that was all collarbones and ribs. Legs that went straight from knobby knees to my feet without any sort of muscular calves or other shapes to detract from the unrelenting boniness of my appearance. I don’t know which is more traumatizing, growing up a fatboy or a skinny boy but both are pretty ****ty. So I could really identify with this part of Ben’s life and what he experienced and how he felt. King nailed this, perfectly.


We meet people in Ben’s life. Starting with the lovely Beverly Marsh who’s not only pretty and red-haired and fiery but also a rebel who doesn’t get along with the pretty blonde girls who have their hair permed twice a month and who wear perfectly fitting skirts and new sweaters. She doesn’t really notice Ben because, let’s face it, pretty red-heads don’t so much notice the fat boy (or the skinny one, Ben, trust me). Not like Ben notices her. And here I spent even more time dwelling on my vague memories of those years. For me it would be the summer between 5th and 6th grade and the summer between 6th and 7th grade. So, summer 1976 and summer 1977.


I was a boy growing up in rural gulf coast Texas. Went to school in the nearest town, a thriving metropolis of 7,000 where the school served the surrounding area. My life at a 11 or 12 year old boy in 1977 in Texas wasn’t significantly different from Ben’s as a 11 or 12 year old boy in 1958 Maine. It’s small towns, it’s pre-computers, pre-internet, pre-video games, pre-cell phones. Sure, I had a little Honda Trail 70 motorbike when I was that age where the boys in Ben’s group had bicycles, but otherwise there just isn’t that much difference in what our lives were like day to day. My little brother (two years younger) and I spent our entire summers running around on that motorcycle, swimming in the Trinity River, squirrel hunting with my 22 rifle, exploring old houses in the river bottoms which had been abandoned by their owners (and scaring the living daylights out of ourselves doing so!). Building dams in streams and tree houses for our clubs with our friends.


As I spent many hours going over what memories I could find and comparing and contrasting my life at that age with Ben’s I realized the biggest difference between Ben with the Losers Club and myself and the various blood brothers, fellow Boy Scouts, best friends and so forth was that the Losers Club had Beverly Marsh and we did not.


And it was Bev that was the real difference maker for the Losers Club. At this point in the novel, Chapter 4, she’s just Ben’s crush. But knowing her role later let me appreciate that it really is her who is the catalyst for making the Losers Club work. If not for her, if not for what she did later, dragging the boys along with her kicking and screaming, then those 6 phone calls would not have ever been made, much less actually worked.


People discount and underestimate Bev’s importance in the Losers Club. But she was the most important person there in many ways. If not for her, none of this would have been possible.


Also in what I liked was the encounter Ben has with Pennywise/IT in a flashback (within a flashback, since the entire chapter is Ben flashing back to 1958 while on that airplane flight to Chicago) to the previous winter. He ends up walking in the bitter Maine winter weather home after school and spots Pennywise there on the frozen over canal, holding his balloons.

***
A figure was standing on the ice down there.

Ben stared at it and thought: There may be a man down there, but can he be wearing what it looks like he's wearing? It's impossible, isn't it?

The figure was dressed in what appeared to be a white-silver clown suit. It rippled around him in the polar wind. There were oversized orange shoes on his feet. They matched the pompom buttons which ran down the front of his suit. One hand grasped a bundle of strings which rose to a bright bunch of balloons...


***

Then there are many many balloons, floating… against the heavy cold wind… towards Ben.


Yeah. When did the word “floating” start triggering terror in me???? This just started recently.


***
“Want a balloon, Ben? They float, Ben! They all float! Try one and see!”
***

Then It turned into the Mummy (starting the trend of us seeing kitschy 50’s horror movie monsters as personifications of It) and it damn near got Ben. It really really did.

***
See the sights, have a balloon, feed the elephants, ride the Chute-the-Chutes! Ben, oh, Ben, how you'll float —
***

That whole section is awesome. With Ben almost getting caught the previous winter.

There is a LOT to like in this chapter.


What I didn’t like: Not much, I thought this chapter was pretty much perfect. Hated Henry the Psychopath but you’re supposed to. I didn’t like that the 1990 movie fell so very very short on portraying Henry Bowers. In the book he’s a psycho, 100% pure lunatic. In the movie he was a 50’s greaser punk who was a bully. Meh.

One thing that wasn’t very clear was why Ben is so completely friendless at this point in his life. He’s never had any friends at all. And yet that’s a fact that is easily corrected by the end of the next chapter. He soon has several friends. He soon has several very good friends. Without making any real changes in himself. So why didn’t he have even a single friend to this point? Well, King sort of handwaves that question off, doesn’t he? I’ve noticed that happens a lot in the horror genre, more so than in the genre’s I’m used to reading in.


What intrigued me: Well, the comparisons with my own life, similar as it was to what Ben and the Losers Club had. Social outcasts, kids on the outside who weren’t popular or socially well adjusted. With easily mockable features like being fat (or skinny) or having a stutter. So I spent a lot of time dwelling on this and pulling my own memories to the fore and dusting them off.


As I did so I came to realize that Stephen King nailed this part of the book perfectly. There was nothing that came across as a false note in any of the 1958 material (except as I pointed out in Chapter 3 how he tends to exaggerate the characters situations to the point of caricature in order to more firmly establish their characters). Everything he wrote, from the nature of Ben’s prepubescent crush on Bev to the fear and hatred of how the bullies made him feel… it’s all correct, right, accurate. He did such an excellent job on this section with establishing these characters. Which makes the horror elements, such as when Ben encountered It as Pennywise and the Mummy and was almost caught the previous winter, just that much more effective!


Anyone whose personal life experience does not allow them to judge how well King did at capturing what life was like for a boy at that age living in that situation should take my word for it: he got it perfectly.


Except for everything to do with Bev and the Losers Club. I can’t speak to how well he portrayed what having a girl in the club would be like since in my experience there were no girls outside of school. There were a few little sisters who were to be avoided. There were mothers to be avoided. But girls? Of our age? No. As far as we could tell they were locked up come summer and not released back into the wild until school started again in September!

Oh, and it might amuse that I read this chapter in the middle of the night, like 3am middle of the night. Laying in bed, my wife asleep for hours already and me just laying there under the blanket with my tablet, reading. Then out of nowhere, in her sleep, my wife lets out a bark of a laugh. Just sudden "Hah!" while I'm reading the section in this chapter about Pennywise and the Mummy coming after Ben. I almost crapped myself leaping out of bed screaming. :biggrin2:

Okay, on to Chapter 5!
 

Rick Aucoin

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Part 2 June 1958
Chapter 5 - Bill Denbrough Beats the Devil I


So, we switch to Bill for the next chapter. Stuttering Bill as a kid, now as an adult he’s a best selling author of horror stories. He is on the Concorde heading back to the States so most of the chapter is flashback just like the previous chapter was.


Being on the Concorde makes him think of his bicycle he had in 58, a used 28” Schwinn which was apparently a bit large for a kid his age, but Bill loved it and got around on it.


We read about how Bill’s parents are pretty neglectful of his needs in the aftermath of Georgie’s murder. Sad, but predictable I guess. Bill flirts with danger a lot now, doing risky things on his bike. Again, predictable reaction to his brother’s murder.


We get some more info on the other characters too, like Eddie. Sickly or not, Eddie is a smartass who gets himself in trouble more often than not.


We also find out that even Eddie’s asthma is psychosomatic. The inhaler is just water and camphor. So it’s for sure, it’s all bogus, inflicted on Eddie by his insane mother.


Bill, Ben, and Eddie plan to build their dam in the Barrens. We’ll see that in Ch 6 looks like.


Things I liked: More of the same from Ch 4. Everything I liked about it I also liked about Ch 5. Our horror scene in this chapter is Georgie’s photo album coming alive and then bleeding all over the place. I remember in the 1990 movie the parents came in when they heard Bill screaming and they either couldn’t see the blood coming out of the book or ignored it (ie were complicit in what was going on). It was a message that is completely absent from the book. In the book there just isn’t any interaction with Bill and Georgie’s parents in the scene with the photo album.


Much of what’s important in this chapter is this is where Bill, Ben, and Eddie actually meet and start to become friends.


Things I didn’t like: Not much, this chapter is really just more of what’s going on in Ch 5 but now from Bill’s POV. Nothing really shocking happens here, just advancing the story.
 

Rick Aucoin

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Part 2 June 1958
Chapter 6 - One of the Missing: A Tale from the Summer of '58


Still firmly narrating events of the summer of 1958 but now no longer with a 3rd Person Limited POV narrator attached to one of the main cast.


Starting out with reminders that people are disappearing, people have been found murdered. Kids have been found, murdered. We get the story of Ed Corcoran who disappeared. His little brother had died in May, turns out was murdered by their step dad. But the step-dad didn’t murder Ed. Ed was gotten by It, in the form of the dead little brother, first, then the Creature From The Black Lagoon.


Then we get a long vignette story of Mike Hanlon, kid who’s parents farm and he helps on the farm. Good color here, then we have the second horror section of the chapter when Mike goes to the ruins of the Kitchener Iron Works is. We learned in an earlier chapter that during a kiddies easter egg hunt the entire place exploded killing like 75 people, most of them little kids, back in the day (last cycle? 30 years ago?). So now Mike’s exploring the ruins.


What I Liked: Lots of good color in the story of Ed and little brother Dorsey and the tragedy of Dorsey’s murder. And Ed being stalked then caught by the Creature from the Black Lagoon. I love the part where Ed is literally being killed and yet he’s still trying to find the zipper on the back of the Creature’s mask. It’s expected that the victim would be terrified beyond sanity. Calmly rational as he is killed is also creepifying.


What I didn’t like: The exploration of the Iron Works grounds then the extended scene with the bird. It just seemed a bit… obvious that Mike would get pulled closer and closer to the cellarhold since that was where he was specifically told to avoid. So, of course, that’s what happens. Then a monstrous bird thing like from the cheesy monster movie “Rodan” which Mike had watched with his dad recently. The whole section of It, via the Rodan bird, trying to get Mike while Mike is alone there at the Ironworks is… well, it’s too long. I ended up skimming paragraphs for the first time in this book and considering we’re 30% into it that’s quite a lot of reading with no skimming. But yeah it just seemed like paragraph after paragraph of Rodan bird thing trying to get Mike and Mike avoiding it. I mean, there were pages of this and it wasn’t particularly tense nor scary? And Mike got away, confirming that sure, looks like there wasn’t much to be scared of. Otherwise how could this lone kid get away? It wasn’t terrible, it just wasn’t… good.
 
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Rick Aucoin

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Part 2 June 1958
Chapter 7 - The Dam in the Barrens


Back to narration from the close POV of one of the main characters, this time Eddie Kaspbrak, the one with all the psychosomatic illnesses and the wife who’s just like his mother.


Eddie is driving towards Maine, from where he and his wife live in NY. He’s a limo driver for a living, driving around big stars and such. We’re told here too that when they were kids that Stuttering Bill had once told Eddie he had a “compass in your head, Eddie”. I seem to recall that becomes really important later? At least I’ve got a strong premonition that it’s important. Surely, at least on a Chekov’s Gun sort of level? You don’t just mention that and have it not matter, right?


We’re reminded, again, how real silver dollars saved them when Bill used them for… something. At this point I figure it’s gotta be werewolves, since all the other kitschy 50’s horror movies are being used.


Which raises a question about the new 2017 movie. The “kids part” of the story is set in the 80’s instead of 1958 in the new movie so are they going to tap into 80’s action/horror sorts of movies for the vignettes where each kid gets almost caught or whatnot? Might we see a bit of Freddy? Or Alien xenomoprhs? Predators? Maybe Jason? Or would the licenses and such be too much a pain? Admit it though, it would fit and be suitable for moving the 1958 stuff to 1988. They just can’t use Werewolf and the Mummy and such with 1988 kids.


Anyway, back to the book.


Not-Really-Sickly-Eddie is our POV anchor for this chapter. So his flashback starts and we’re back to the Barrens, with Bill and Ben. The three talking about making the dam but doing it Ben’s way and we know Ben’s a hell of an architect so we figure that they’ll make a good dam out of whatever they brought with them (some boards it looks like).


So they build a dam. And it works. And the three boys stare at it amazed. :D


Richie Tozier (of the many Voices) and Stanley Uris show up and help do some work on the dam. So now we’ve got 5 boys hanging out here, all of them sorta outcast types and working collectively on a nice project, this dam. Insta-Summer-Friendship, just add water! But still it bothers me, why was Ben friendless all this time, totally and completely friendless, when there wasn’t anything about him making it so he couldn’t make friends? Here he makes four friends easily and there’s no trouble at all. Does the author expect the reader to just not worry about why Ben was friendless till now since that was pre-story so thus not important? I honestly don’t know.


So the boys (except Asthmatic Eddie of course) smoke Winstons. Blergh, Winstons? Marbororos’, boys! Winston’s are for Yankees! Oh, wait, they are yankees. :D Anyway, now this is an odd bit. I remember us country boys trying snuff and skoal and such at that age but no one was trying cigarettes at 10 and 11. By 12 and 13? Sure, but not at 10. Maybe that’s a difference in 1958 and 1976 or a difference between small town Maine and rural Gulf Coast Texas?

We get some more color, some character development, some more depth added to the town’s history. All in all a great chapter for all that stuff.


Then… Bill decides he’s got to tell the guys the story about how Georgie’s photo album acted possessed and Georgie’s school picture in the album winked at him and then bled all over.


So then Eddie has to tell his own story and we get introduced to the house at 29 Neibolt Street.


And in Eddie’s flashback/story It, via the leper hobo Bob Gray almost gets Eddie.
Going on about blow-jobs for a nickel, which was really… weird. The leper’s strange focus on Eddie and blowjobs is something I didn’t understand. I mean, I understand it’s creepifying and grotesque and the subject is scary to Eddie and especially terrifying in the context of hobos and gay oral sex but it’s still feels like it comes out of left field and I don’t understand what it’s all about, if anything beyond the obvious: it’s creepifying.


Then Ben tells his story of seeing Pennywise the Clown on the iced over canal last winter, with the balloons that floated against the wind. When Ben damn near got caught. And he describes what the clown is wearing. And they all realize it’s the same outfit as whatever the leper thing was wearing… this is getting real and it’s not just isolated cases of crazy.


What I liked: Everything. It’s a great chapter. The character building is great, the horror is horrifying, the creepy is creepifying. Everything was awesome. The horror parts in this chapter, even though all flashbacks or stories, were some of the best.

I love that Bill blows out the match before Richie can light a third cig off the match. Suddenly my own memory provided me with the old superstition, one I’d not thought of in two decades at least, about bad luck lighting three off one match. That tickled me.


What I didn’t like: Um… nothing, really. Everything rang true and the boys behaviors and such seemed quite accurate to me.


What intrigued me: That they’re all telling each other these stories. It took someone with courage to start, Bill, establishing his nature as the charismatic courageous leader of the club right away. And so we’re finally getting into some meat of the story now. Get them all introduced, they’re all friends, they’re sharing their scary stories and realizing something bad is happening in Derry.


Just need to find Bev now, fellas. Like I said before, without her you’re nobodies.
 
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