January 24th, 2006
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Artist Clayton Riddell had been in Boston negotiating a successful deal to sell his comic book project. His joy at finally hitting it big is shattered by an event called The Pulse which causes all those who were using their cell phones at the time of The Pulse to become zombies attacking and killing anyone in their way. Fortunately for Clay, he does not own a cell phone. In the panic to get out of Boston and find his way home to his wife and son in Maine, he is joined by Tom McCourt, a man he meets in the meleé immediately following The Pulse and a young girl, Alice, who they rescue from being killed by one of the “crazies.” The story follows their terrifying journey, avoiding capture—and worse—by the “crazies” who are beginning to “flock” and are led by one they call Raggedy Man as they attempt to reach Maine and a place called Kashwak which they hope will be their salvation.
THERE'S A REASON CELL RHYMES WITH HELL.
On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He's just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He's already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he'll get for his boy Johnny. Why not a little treat for himself? Clay's feeling good about the future.
That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature. . .and then begins to evolve.
There's really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction: KASHWAK=NO-FO. A promise, perhaps. Or a threat...
There are one hundred and ninety-three million cell phones in the United States alone. Who doesn't have one? Stephen King's utterly gripping, gory, and fascinating novel doesn't just ask the question "Can you hear me now?" It answers it with a vengeance.
While walking on the sidewalk in New York, Steve saw a man dressed in a business suit approaching him and seemingly engaged in conversation with himself. Since people talking to themselves on a public street would usually be among those whose "reality" was a bit different than the norm, Steve became a bit apprehensive. He realized as the man got closer, however, that he was talking on a cell phone using a headset. It was the incongruity of a person who may not be in touch with reality, but dressed in a business suit that sparked the idea for Cell.
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