For those who love Hammer, this book is really great:
It doesn't have ALL the films in it, but it has loads of them. And the films that it doesn't have are not the real interesting ones. It's not just about the horrorfilms, but also their other genres: thrillers inspired by Psycho/Les Diaboliques, sci-fi like their Quatermass films or The Damned, prehistoric films (where Raquel Welch got her fame), crime thrillers. swashbucklers, period adventure. Some films are mixes of several genres, like horror and adventure.
They even had cautionary drama, like Never take Sweets from a Stranger, which is about sexual abuse of children.
The book is filled with pictures of all sorts of promomaterials, like posters, pressbooks and the glamour shoots they used to do with their leading actresses. And it has correspondence from the Hammer office, like all sorts of notes and letters, about the censorship of the films for example. There's also the films that were proposed, but never made. And certain props that have survived. Also, lots of articles and reviews from the newspapers at the time.
Plus there are publicity manuals with ideas for theatres how to dress their foyer in the style of the film and other advertising tips.
The book is quite oversized, so most of the time you can read the smaller letters on all of these.
The book even includes the films that were made after the studio was resurrected in 2007 (it was bought by Dutch mediatycoon John de Mol), like Let Me In, The Woman in Black (and its sequel), The Resident , Wake Wood and The Quiet Ones.