Latest Movie That You Watched!

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skimom2

Just moseyin' through...
Oct 9, 2013
15,683
92,168
USA
Wow, did not know that.

Jeremy Licht was the kid....not sure why I was thinking Henry Thomas on that one...
I just looked on IMDb to see where I saw the kid other than in this--had to have been in Hogan Family (though I don't remember watching that), because he didn't do much else. Another Fun Fact: his mouthless sister in the movie was Cherrie Curie from The Runaways (I just learned that one!) :)
 

Blake

Deleted User
Feb 18, 2013
4,191
17,479
front.jpg
 

Ebdim9th

Dressing the Gothic interval in tritones
Jul 1, 2009
6,137
22,104
I was a little kid. If you saw the movie, Coburn had a unique way of teaching his pickpockets how to lift a front lapel wallet. I posted about it somewhere on here my dedication to learning this. hahahaha! I never actually pick pocketed anyone in my life, unless of course you call taking the loose change out of my dad's pants in the laundry pick pocketing.

If the apocalypse is coming, it might be a useful skill in a seedy future-world bazaar/market place ....

I didn't even know there was a movie of that!

Yeah, I don't think I did either until recently .... I do have the book, though .....
 

CoriSCapnSkip

Well-Known Member
Jan 16, 2015
1,735
7,765
61
I cannot watch this movie again (after seeing it in the theater when it was released) as it does contain a few seconds of the actual film where the man and two kids are killed (in real life) by the helicopter blades. It happened for real. It makes me feel bad for those kids. It is a good movie minus that part though!

Can you cite a source for this? I saw the film in the theater with the understanding that the Vic Morrow segment was included, but edited using previous footage of him to end differently, and that no footage of the kids was included, let alone the scene resulting in their deaths!
 

kingricefan

All-being, keeper of Space, Time & Dimension.
Jul 11, 2006
30,011
127,446
Spokane, WA
Can you cite a source for this? I saw the film in the theater with the understanding that the Vic Morrow segment was included, but edited using previous footage of him to end differently, and that no footage of the kids was included, let alone the scene resulting in their deaths!
From what I remember the scene used was of Vic holding the two kids in his arms next to the helicopter. That took place right before they were killed. It may only be a second or two but it's there. They had to heavily edit the story after that, don't know if they used doubles for the actors after that to continue the story.
 

fljoe0

Cantre Member
Apr 5, 2008
15,859
71,642
62
120 miles S of the Pancake/Waffle line
I Am Not A Serial Killer (2016) Christopher Lloyd, Max Records, Laura Fraser

A teen that has been diagnosed with sociopathy hunts down a supernatural killer while trying to keep his own issues under control. It's a movie about alienation in a horror movie skin (if that makes any sense ;-D). I liked it. Available on netflix.


Sorry, I'm quoting myself ;-D

I saw that this movie was adapted from a novel and I looked on Amazon and there is a series of novels about the main character. Has anyone read them? Just wondering what someone thought because this really seems like it could be an interesting character for a series. The books were listed as young adult so I'm not sure if thy are out of my age range or not.

BTW - Is sociopathy a word or did I make that up? ;-D
 

do1you9love?

Happy to be here!
Feb 18, 2012
9,284
70,566
Virginia
I Am Not A Serial Killer (2016) Christopher Lloyd, Max Records, Laura Fraser

A teen that has been diagnosed with sociopathy hunts down a supernatural killer while trying to keep his own issues under control. It's a movie about alienation in a horror movie skin (if that makes any sense ;-D). I liked it. Available on netflix.

Sorry, I'm quoting myself ;-D

I saw that this movie was adapted from a novel and I looked on Amazon and there is a series of novels about the main character. Has anyone read them? Just wondering what someone thought because this really seems like it could be an interesting character for a series. The books were listed as young adult so I'm not sure if thy are out of my age range or not.

BTW - Is sociopathy a word or did I make that up? ;-D

Haha!! I saw your first post and multi-quoted it so I could keep reading, then I saw your next post! YES!!! I love these books. I have only read the first 2, but I am trying to get copies of the rest. I had not heard about the movie, and will be looking for that. Glad you liked it! I hope it was a good adaptation. This has made my day! ;-D
 

GNTLGNT

The idiot is IN
Jun 15, 2007
87,651
358,754
62
Cambridge, Ohio
Sorry, I'm quoting myself ;-D

I saw that this movie was adapted from a novel and I looked on Amazon and there is a series of novels about the main character. Has anyone read them? Just wondering what someone thought because this really seems like it could be an interesting character for a series. The books were listed as young adult so I'm not sure if thy are out of my age range or not.

BTW - Is sociopathy a word or did I make that up? ;-D
noun form of sociopath
 

Holly Gibney

Well-Known Member
Aug 2, 2016
153
783
46
I've been working my way through a box set of the James Bond films for the last few weeks, and it has been depressing in some ways. The difference between the early films and the later ones is huge, and there are two main culprits - shaky cam and fast-cut editing.

Shaky cam is well-known, and there are plenty of people who loathe it as much as I do. Fast cutting, on the other hand, does not come in for the same amount of criticism, and yet I feel that it is just as harmful towards a film as any amount of handheld shaky camerawork. In watching the old Bonds (and any film made before 2000 or so), shots were established and then held for a reasonable amount of time before the director felt the need to flick to a different angle. Nowadays the camera flips back and forth between multiple viewpoints every second or two, even when there is absolutely no need to do so. Personally, I have always felt that the old rule of "less is more" applies very well to writing, filmmaking, music, or any artwork. Stillness and silence draw the viewer in and build up incredible tension.

Not long ago I watched the BBC's 1979 adaptation of Tinker, Tailor, Soldier, Spy, and the stillness of the camerawork left me on the edge of my seat with white knuckles, just waiting for the tension to suddenly break with a SNAP! One interrogation scene was particularly memorable, as it was filmed from just a single point of view. You saw the face of the interviewee, and about a third of the face of the interviewer, and the effect was extraordinary - you could have heard a pin drop in my living room! Nowadays this scene would be ruined by the camera hopping from full close-ups of each person's face whenever they spoke, as well as countless pointless changes of camera angle thrown in for no reason at all.

To get back to the original subject - the old Bonds feel like well-constructed classics, and watching them back-to-back with the new ones really shows up the inadequacy of modern directorial trends. Jumpy cameras, held by people with the shakes... Is anyone else annoyed by these things, or am I just showing my age? :)
 

kingricefan

All-being, keeper of Space, Time & Dimension.
Jul 11, 2006
30,011
127,446
Spokane, WA
I've been working my way through a box set of the James Bond films for the last few weeks, and it has been depressing in some ways. The difference between the early films and the later ones is huge, and there are two main culprits - shaky cam and fast-cut editing.

Shaky cam is well-known, and there are plenty of people who loathe it as much as I do. Fast cutting, on the other hand, does not come in for the same amount of criticism, and yet I feel that it is just as harmful towards a film as any amount of handheld shaky camerawork. In watching the old Bonds (and any film made before 2000 or so), shots were established and then held for a reasonable amount of time before the director felt the need to flick to a different angle. Nowadays the camera flips back and forth between multiple viewpoints every second or two, even when there is absolutely no need to do so. Personally, I have always felt that the old rule of "less is more" applies very well to writing, filmmaking, music, or any artwork. Stillness and silence draw the viewer in and build up incredible tension.

Not long ago I watched the BBC's 1979 adaptation of Tinker, Tailor, Soldier, Spy, and the stillness of the camerawork left me on the edge of my seat with white knuckles, just waiting for the tension to suddenly break with a SNAP! One interrogation scene was particularly memorable, as it was filmed from just a single point of view. You saw the face of the interviewee, and about a third of the face of the interviewer, and the effect was extraordinary - you could have heard a pin drop in my living room! Nowadays this scene would be ruined by the camera hopping from full close-ups of each person's face whenever they spoke, as well as countless pointless changes of camera angle thrown in for no reason at all.

To get back to the original subject - the old Bonds feel like well-constructed classics, and watching them back-to-back with the new ones really shows up the inadequacy of modern directorial trends. Jumpy cameras, held by people with the shakes... Is anyone else annoyed by these things, or am I just showing my age? :)
Unfortunately, due to the general public's lack of attention span, this is what film makers have to do in order to keep someone's attention. This fast cutting is everywhere now- movies, commercials, etc. It's a shame that this has come to be. I, too, enjoy watching something that can hold a shot for more than 2 seconds.