Is this your first time reading John Irving?Okay, foks. I tried. I really, truly tried to love a Prayer for Owen Meany but a couple hundred pages in I just was bored
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Is this your first time reading John Irving?Okay, foks. I tried. I really, truly tried to love a Prayer for Owen Meany but a couple hundred pages in I just was bored
Okay, foks. I tried. I really, truly tried to love a Prayer for Owen Meany but a couple hundred pages in I just was bored
Yes, I asked my husband if he remembered learning anything about Glass in school and he said no. He is a born and raises Wyoming person. I went to school in western Nebraska, but still, lots of places mentioned were right there!I loved The Revenant! My husband and I had fun identifying the places listed and comparing which ones each of us had been to I didn't recognize the name of the main Indian tribe, but my mom did (born Thermopolis and raised in Riverton/Morton--lol). I came away wondering the same thing about that one as I did about Shane: why aren't these required reading for students in Wyoming (different age groups, of course)?
Is this your first time reading John Irving?
I just got A Prayer For Owen Meany. I have read The World According To Garp earlier (which i liked) but not more. O.M will be my second Irving. I'm hoping it will live up to the praise it has got from Skimom and others. It now lie waiting in my TBR pile (more a 60 feet building than a pile really but you get my drift. ......)John Irving is the writer who taught me patience and that if I really wanted to get the whole picture I had to slow down and pay attention. I found all of his books rich in detail and amazing in their construction - there's no way I would have been able to just zoom through, the way I do with a Dean Koontz or a Dan Brown book. His books demand a slow pace, and yes, there may be moments when it seems there's a lull in the narrative, but by the end I was glad to have read the book. A Prayer for Owen Meany is on my list; I've read The World According to Garp, In One Person and A Widow for One Year (my favorite so far). What I'm trying to say is, give it a break and come back to it later, or try another one of his books. I'm a strong believer in the fact that a book has to be read at the right time. It can be the most amazing book but if you're not in the right mood for it it's just useless. I picked up books, abandoned them then came back to them and was able to see the story in a different light.
John Irving is the writer who taught me patience and that if I really wanted to get the whole picture I had to slow down and pay attention. I found all of his books rich in detail and amazing in their construction - there's no way I would have been able to just zoom through, the way I do with a Dean Koontz or a Dan Brown book. His books demand a slow pace, and yes, there may be moments when it seems there's a lull in the narrative, but by the end I was glad to have read the book. A Prayer for Owen Meany is on my list; I've read The World According to Garp, In One Person and A Widow for One Year (my favorite so far). What I'm trying to say is, give it a break and come back to it later, or try another one of his books. I'm a strong believer in the fact that a book has to be read at the right time. It can be the most amazing book but if you're not in the right mood for it it's just useless. I picked up books, abandoned them then came back to them and was able to see the story in a different light.
I relish his books. Think of his books like developing film in a dark room. The layers and pieces overlap and gradually start to frame in your mind. It can take patience with his Dickensian plotting. He doesn't want you to miss a single detail, which is important in his novels. He often addresses one event through several angles and even different characters' perception (respectively). The only thing that can make me roll my eyes is his obsession with graphic sexual subjects (which many times come out of left field and are only tangentially connected to the story or protagonist) but he is a fascinating character writer in every way. I've cried more than once at his books and laughed unexpectedly at other things until tears burned my eyes.I may come back to it again at another time. I agree that a reader's opinion of a book can change at different times of life.
Please forgive me, but at 0200 it dawned on me that I misnamed the Kellerman's first book; the title actually is The Golem of Hollywood. Prague is very much visited throughout both books so I hope you'll forgive me the slip.I am halfway through The Golem of Paris by the Kellermans, father and son. This is the second book, the first entitled The Golem of Prague. The central figure is police person Jacob Levy and the stories are of his experiences with the unexplainable. AWESOME.
What do you think about it? I loved her pre-Poisonwood Bible books, but no so much with PB and everything since (aside from Animal, Vegetable, Miracle--I've read that one numerous times and keep it as a reference). The post 1998 books are so different from her earlier books that to me they read like a completely different writer did them.Prodigal Summer- Barbara Kingsolver. (Almost finished, I'm bad about playing musical books. I'll switch to another book and then jump back. )
Dickens is a wonderful comparison, and apt, since Irving has written about his love for Dickens' stories. The scene of his that brought me to tears of laughter the first time and still makes me giggle when I think about it is in Hotel New Hampshire. The Nativity play scenes in Owen Meany always get me, tooI relish his books. Think of his books like developing film in a dark room. The layers and pieces overlap and gradually start to frame in your mind. It can take patience with his Dickensian plotting. He doesn't want you to miss a single detail, which is important in his novels. He often addresses one event through several angles and even different characters' perception (respectively). The only thing that can make me roll my eyes is his obsession with graphic sexual subjects (which many times come out of left field and are only tangentially connected to the story or protagonist) but he is a fascinating character writer in every way. I've cried more than once at his books and laughed unexpectedly at other things until tears burned my eyes.
My favorites are: A Widow For One Year, Last Night In Twisted River, The Cider House Rules, and Setting Free The Bears.
'Hotel' and 'Owen' are great, too.
I read the Bean Trees and liked it alot. This one is a love letter to Appalachia and Kentucky. I think it is great. Very similar to Animal, Vegetable, Miracle. I can tell she is an activist but it doesn't feel like a lecture, although her characters briefly go on rants about ecology and animal life cycles.What do you think about it? I loved her pre-Poisonwood Bible books, but no so much with PB and everything since (aside from Animal, Vegetable, Miracle--I've read that one numerous times and keep it as a reference). The post 1998 books are so different from her earlier books that to me they read like a completely different writer did them.
Prodigal Summer- Barbara Kingsolver. (Almost finished, I'm bad about playing musical books. I'll switch to another book and then jump back. )